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Copyright Leopold 2007
The Leopold I'm using is the best carbon bow I've ever tried. It has the same features as well as flexibility, elasticity and balance as the best bows made of wood.
I am using Leopold not only outside the programs - it is also excellent in bigger concert halls.
I am very happy to have it.
I am using Leopold not only outside the programs - it is also excellent in bigger concert halls.
I am very happy to have it.
Zsófia Környei
Leader violinist of
Hungarian Telecom Orchester
and
First violinist of
Magyar Akadémia Quartet
Hungary
Leader violinist of
Hungarian Telecom Orchester
and
First violinist of
Magyar Akadémia Quartet
Hungary
Jeannette Roelle
violist
Denmark
violist
Denmark
I am a violist and have used numbers of bows, among others “Seifert”, that I think was good because I experienced it gave ballast. Now I have been using Leopold for several months.
Fantastic.
Leopold gives my viola another expression. When I play with Leopold, I sense the weight I need to apply on the bow. The bow “talks” to my viola and anticipates my feelings and interpretation.
Leopold makes me think about the bow as the gesture that breaks the silence. Leopold is like a resting hand. Leopold gathers the power of the sound because it carries itself.
Leopold is the gesture that breaks the Silence because there is silence in all technique. Leopold’s properties make it possible to play with smooth even shifts at the frog.
Leopold gives my body balance that again influences the sound quality, so that my bow direction changes in a sliding transition.
Fantastic.
Leopold gives my viola another expression. When I play with Leopold, I sense the weight I need to apply on the bow. The bow “talks” to my viola and anticipates my feelings and interpretation.
Leopold makes me think about the bow as the gesture that breaks the silence. Leopold is like a resting hand. Leopold gathers the power of the sound because it carries itself.
Leopold is the gesture that breaks the Silence because there is silence in all technique. Leopold’s properties make it possible to play with smooth even shifts at the frog.
Leopold gives my body balance that again influences the sound quality, so that my bow direction changes in a sliding transition.
Leopold is a phenomenon that gives a viola voice and sound without a thought about the immediate bow technique factors.
Testimonials
I love the bow! From piano to fortissimo the sound it makes with my violin is bright, smooth, and yet velvety, like white silk velvet! The response is immediate, which I love. The projection seems quite powerful, which I appreciate, although I don't know how my neighbours will feel about it.
The handling is wonderful, and I feel as if I am enabled to develop much more sophistication in my right-hand technique. I am also confident that it is strong enough to stand up to my sometimes aggressive playing. Very nice work!
It would require a novel to tell you what possibilities I see in this bow.
The handling is wonderful, and I feel as if I am enabled to develop much more sophistication in my right-hand technique. I am also confident that it is strong enough to stand up to my sometimes aggressive playing. Very nice work!
It would require a novel to tell you what possibilities I see in this bow.
Jessica Nelson
violinist
USA
violinist
USA
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