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About Leopold Carbon Fibre Bows
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Leopold protects your instrument
Some musicians use a lower quality bow for rehearsals to spare
Some musicians use a lower quality bow for rehearsals to spare
meantime it will not play at its best. For that reason, it is advisable to use a first class master bow on your instrument all the time, also for the rehearsals. Leopold master bow is the right solution for you.
Leopold protects your health
In order not to get tense and frustrated while playing, it is important to always use the best possible bow together with your instrument. Leopold makes you comfortable and allow you to relax and show more initiative.
Carbon fibre in bows, like in tennis rackets, reduces the low frequency vibrations that can cause health damage. For example the use of carbon fibre tennis racket reduces the tennis elbow danger. By reducing the same low frequencies Leopold minimizes the risk of receiving arthrosis deformans that is the most common suffering by elderly string players.
continue ...
Leopold protects your health
In order not to get tense and frustrated while playing, it is important to always use the best possible bow together with your instrument. Leopold makes you comfortable and allow you to relax and show more initiative.
Carbon fibre in bows, like in tennis rackets, reduces the low frequency vibrations that can cause health damage. For example the use of carbon fibre tennis racket reduces the tennis elbow danger. By reducing the same low frequencies Leopold minimizes the risk of receiving arthrosis deformans that is the most common suffering by elderly string players.
continue ...
their primary bow. Both science and the empirical knowledge of experienced musicians discourage this praxis.
The wood of which the instrument is made of has a “vibration memory” that can negatively influence the tone. The wooden microstructure of your instrument adjusts to the different vibrations of your “rehearsal” bow. When you then change to your primary bow again, the instrument will not vibrate optimally. The sound will be dull.
It will take the instrument 2-3 weeks to adjust to the vibrations of the primary bow again. And in the
The wood of which the instrument is made of has a “vibration memory” that can negatively influence the tone. The wooden microstructure of your instrument adjusts to the different vibrations of your “rehearsal” bow. When you then change to your primary bow again, the instrument will not vibrate optimally. The sound will be dull.
It will take the instrument 2-3 weeks to adjust to the vibrations of the primary bow again. And in the
Stable in tied spiccato, much more agreeable to many both technically and tonally demanding skills, with an outstanding representation of the colour of the ton and dynamical changeovers without undesirable sounds - these are clear advantages.
Ladislav Smigura
I am impressed with that bow. I like the entire look, the balance, and the easy, big, solid sound it produces.
Ladislav Smigura
I am impressed with that bow. I like the entire look, the balance, and the easy, big, solid sound it produces.
I would like to convey euphoria for Leopold that I become more and more glad for.
Norman Soerensen
Norman Soerensen
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Nowell Creadick
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Copyright Leopold 2007